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Camera Raw continues to improve its support for RAW formats. Version 14.5 introduces support for raw mosaic files from cameras with Bayer sensors (Canon, Nikon, and others) and Fujifilm X-Trans sensors.
You no longer need to leave Lightroom Desktop if you wish to make an edit to a video before sharing it on social media or elsewhere. Many of the Camera Raw edit controls that you are accustomed to using with your photos can also be used to edit your videos.You can also trim a video clip, altering its in-point and/or out-point to cut off any part of the beginning and/or end that you dont want.
Camera Raw is now integrated with several other Adobe products. Raw files are now automatically imported into Adobe Premiere Pro (including CS6). When you install Adobe Premiere Pro, the library defaults to a collection of original and processed RAW files. The Video panel in Adobe Premiere Pro shows details of the original image alongside the RAW and resized versions.
Adobe has introduced a new color space setting called ProPhoto RGB. This is basically a way to save color space settings as part of the RAW file. ProPhoto RGB helps photographers who want to create work in either PC or Mac. It is a support for printers that can produce photographic prints from RAW files.
Highlights of Camera Raw 14.4
- New features in the Camera Raw plug-in for Photoshop CS6 and Lightroom 5.4: Facial recognition: Find people in photos based on faces detected in the image or by the person’s name
- New features in the Camera Raw plug-in for Photoshop CS6: Facial recognition: Find people in photos based on faces detected in the image or by the person’s name
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Camera Raw as a raw processing tool just works. I can import a RAW, bring it into the program, create a pretty editable jpeg out of it, and export it with just the click of a button. I know I won’t corrupt it. I know it will create a correct image. It is nice to look at the RAWs side-by-side to the jpeg I’ve created, and see the changes in real time.
1. More accurate in being able to “match shots” – i.e. the “helper” levels, which i need for my FinePix S5000
2. The “match shots” and “sharpen” fields are now able to be used for Nikon cameras as well as now that Nikon’s have added the “sharpen/fine-tune” tool
3. The “help” level is now similar to the one that comes with the FinePix S5000, with more options for “brightness, contrast, saturation, clarity, shadow” and “micro contrast”
4. The meter option now matches FinePix’s. Other than that, I am unsure if anything else has changed. But it’s difficult to tell, since I work mostly with Canon and Nikon cameras. But it’s good to know that it works at least as well with other cameras.
There are some limitations, but that’s not the point. What’s a program if there aren’t limitations! I can adapt to C1. I don’t like the fact that the update requires a Mac. Isn’t this an Adobe program! I understand C1 is probably made for Mac owners. I think they should market to the entire world. The interface/operation is otherwise fine. What’s not to like.
Quality of RAW files on Apple devices is much superior to what we get from the X-camera. Raw files from A7RIV can get into HDR mode, and even color matrixes, but the only way I found is to edit each Raw file and extract a Black Point Color matrix. I’ve been testing DRO in CR with an A7RIV for two weeks with this method, and I must say this is an awesome tool. Not only can I match the original in camera color matrix, but with this I can set up any image for different purposes, and never loose information. If the original image is all black and white, I simply use the settings of DRO on my A7RIV as DRO does not convert it into JPG. Also, if the image is edited on the A7RIV, the changes can be preserved on the CR, just reverting the original selection.
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I really appreciate the new option of “Built-in Tints”. As to what tints do, they allow you to change the lightness of an image with a high degree of accuracy. Ill use the example of a white-on-white image, where we know (approximately) that the scene is between 20% and 95% white. With this new way of changing the color balance, we can hone in on the exact midpoint of the scale and change the white balance of the image to a reference point within that space. This will allow the colors to shift (or stay the same) much more easily. For example, if you wish to make a postcard of a scene that is only 50% white, you dont need to have to consider a 7-stop gamma shift. With the built-in Tints option in Camera Raw, you can specify that you would like the image to be 50% gray. Then the image color balance will shift appropriately for that particular change. In the past, you could make an over- or underexposed image in order to correct for a specific light situation, but now we have a better way of adjusting. This is true for pastel and dark images as well.
I downloaded a very large file earlier to test this new feature of editing in Camera Raw. I have about 6GB of RAW image files sitting on a fast, SSD hard drive. When I started editing, I selected only the RAW images I wanted to work with and compared the first image of the batch to the second. The difference was less than 1% on a near-black image. I then picked up the RAWs one at a time and edited the first RAW as I wanted it, and saved that edited file as a new image file. The difference in the editing process was much bigger than 1% and was so much larger that it was distracting. In the end, I decided to process the whole batch at once.
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Adobe Camera Raw 14.5 System Requirements
- A Mac computer running OS X 10.11 El Capitan (v. 10.11.2 at the time of this writing).
- M1 (8 GB RAM with 2GB dedicated for GPU)
- M2 (8 GB RAM with 2GB dedicated for GPU)
- M2 (16 GB RAM with 4GB dedicated for GPU)
- M3 (16 GB RAM with 4GB dedicated for GPU)
- M3 (16 GB RAM with 8GB dedicated for GPU)
- M5 (8 GB RAM with 8GB dedicated for GPU)
- M7 (16 GB RAM with 16GB dedicated for GPU)
- M9 (32 GB RAM with 8GB dedicated for GPU)
- M9 (32 GB RAM with 16GB dedicated for GPU)
- M9 (32 GB RAM with 32GB dedicated for GPU)
Adobe Camera Raw 14.5 Features
- The Effects Panel is more powerful for videos than for photos. There, you can crop and retouch and apply your favorite effects and filters on the clip, all while staying connected to Lightroom. If you start the edit with the Effects Panel active, you can also activate the other panels in Camera Raw to do other editing tasks (e.g., straighten and rotate the clip).
- The Video panel enables quick and easy editing of your videos.
- You can quickly and easily trim a video clip, altering its in-point and/or out-point to cut off any part of the beginning and/or end that you dont want.
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